Art print | Willem van der Helm c. 1625-75 municipal architect of Leiden with his wife Belytgen Cornelisdr van der Schelt d. 1661 and their son Leendert 1622-64 - Barent Fabritius
  
  View from behind
  Frame (optional)
      In the world of art, certain works transcend the simple canvas to become witnesses of an era, visual narratives that immerse us in the intimacy of their subjects. The art print of Willem van der Helm c. 1625-75, municipal architect of Leiden, with his wife Belytgen Cornelisdr van der Schelt and their son Leendert, is one of these masterpieces. Created by Barent Fabritius, this piece invites viewers to explore family relationships and social statuses in the 17th century. Through delicate expressions and the postures of the characters, Fabritius manages to capture a moment of tenderness and pride, a frozen instant in time that allows us to reflect on the individual's place within the broader context of society.
Style and uniqueness of the work
Barent Fabritius's style is distinguished by his meticulous attention to detail and his ability to play with light and shadow. In this work, the textures of clothing, the rendering of faces, and the overall composition demonstrate exceptional technical mastery. Fabritius uses a palette of colors that is both rich and subtle, creating a warm atmosphere that envelops the characters. The drapery of the clothing, in particular, is treated with finesse that reveals not only the artist's craftsmanship but also the high social status of the subjects. The way he arranges the figures in space, bringing them closer while maintaining a certain distance, evokes a family dynamic that is both intimate and respectful. The piece presents itself as a true narrative tableau, where each element contributes to telling the story of this family, its aspirations, and its values.
The artist and his influence
Barent Fabritius, a pupil of Rembrandt, is often recognized for his ability to incorporate elements of the great Dutch painting tradition while developing his own style. His work is marked by a particular sensitivity to human emotions, a characteristic that is reflected in the depiction of Willem van der Helm and
    
  
  Matte finish
  View from behind
  Frame (optional)
      In the world of art, certain works transcend the simple canvas to become witnesses of an era, visual narratives that immerse us in the intimacy of their subjects. The art print of Willem van der Helm c. 1625-75, municipal architect of Leiden, with his wife Belytgen Cornelisdr van der Schelt and their son Leendert, is one of these masterpieces. Created by Barent Fabritius, this piece invites viewers to explore family relationships and social statuses in the 17th century. Through delicate expressions and the postures of the characters, Fabritius manages to capture a moment of tenderness and pride, a frozen instant in time that allows us to reflect on the individual's place within the broader context of society.
Style and uniqueness of the work
Barent Fabritius's style is distinguished by his meticulous attention to detail and his ability to play with light and shadow. In this work, the textures of clothing, the rendering of faces, and the overall composition demonstrate exceptional technical mastery. Fabritius uses a palette of colors that is both rich and subtle, creating a warm atmosphere that envelops the characters. The drapery of the clothing, in particular, is treated with finesse that reveals not only the artist's craftsmanship but also the high social status of the subjects. The way he arranges the figures in space, bringing them closer while maintaining a certain distance, evokes a family dynamic that is both intimate and respectful. The piece presents itself as a true narrative tableau, where each element contributes to telling the story of this family, its aspirations, and its values.
The artist and his influence
Barent Fabritius, a pupil of Rembrandt, is often recognized for his ability to incorporate elements of the great Dutch painting tradition while developing his own style. His work is marked by a particular sensitivity to human emotions, a characteristic that is reflected in the depiction of Willem van der Helm and