In the fascinating world of 17th-century Dutch art, Gerard ter Borch's work stands out for its ability to capture the very essence of everyday life and the iconic figures of his time. The art print of François de Vicq, mayor of Amsterdam for several terms starting in 1697, perfectly illustrates this mastery. This portrait, imbued with psychological depth and meticulous attention to detail, invites the viewer to delve into the political and social context of the era. Beyond mere representation, this piece bears witness to a period of prosperity and refinement in Amsterdam, where commerce and culture intertwine harmoniously. Style and uniqueness of the work Gerard ter Borch's style is characterized by a realistic and intimate approach. In this piece, he manages to infuse a palpable life into his subject, François de Vicq, whose expression and posture reveal a strong and determined personality. The choice of colors, dominated by rich and nuanced tones, helps create an atmosphere that is both solemn and welcoming. Ter Borch skillfully uses light, illuminating the mayor's face while leaving certain areas in shadow, which enhances contrast and depth. The details of the costume, carefully rendered, also reflect the importance of social status and identity in the depiction of public figures of the time. Every element, from fabric to accessories, is chosen with care, adding an extra dimension to the visual storytelling. The artist and his influence Gerard ter Borch, born in 1617 in Zwolle, is one of the undisputed masters of portraiture and genre painting. His artistic journey, marked by various influences, notably those of the great Spanish masters, allowed him to develop a unique style that combines technical precision with emotional sensitivity. Ter Borch established himself in the Dutch artistic scene, becoming a sought-after portraitist among the aristocracy and bourgeoisie. His work not only influenced his contemporaries but also left a lasting imprint on subsequent generations of art.