Art print | Flowers, fruits, and a corn cob on the edge of a table - Paul Theodor van Brussel
View from behind
Frame (optional)
In the fascinating universe of still life, the artwork "Des fleurs, des fruits et un épi de maïs sur le rebord d'une table" by Paul Theodor van Brussel stands out for its elegance and delicacy. This piece, imbued with poetry, invites the viewer to immerse themselves in a world where the fleeting beauty of flowers and fruits intertwines with the simplicity of an ear of corn. By capturing with virtuosity the nuances of colors and textures, van Brussel offers us a vision that is both realistic and romantic, transporting us to an atmosphere of tranquility and contemplation. Each element of this composition seems to tell a story, an invitation to appreciate the richness of nature in all its splendor.
Style and uniqueness of the work
Paul Theodor van Brussel's style is characterized by meticulous attention to detail and an impressive mastery of light. In this artwork, light plays a fundamental role, illuminating the flowers and fruits in a way that emphasizes their freshness and vitality. Vibrant colors and delicate shadows create a depth that brings the composition to life. The ear of corn, often overlooked in still life works, finds here a prominent place, adding an unexpected and symbolic dimension to the whole. This juxtaposition between the lushness of the flowers and the rusticity of the corn evokes a dialogue between refinement and authenticity, illustrating the artist's talent for capturing the duality of life.
The artist and his influence
Paul Theodor van Brussel, active in the 19th century, is recognized for his ability to transform ordinary subjects into extraordinary works of art. Influenced by the Romantic movement, he seeks to express a deep sensitivity through his compositions. His training with masters of still life refined his eye for detail and his understanding of colors. Van Brussel was also inspired by his environment, immersing himself in landscapes and natural elements around him. His work bears witness to a time when art was a means of exploring the relationship between man and nature, and his influence endures in the art world
Matte finish
View from behind
Frame (optional)
In the fascinating universe of still life, the artwork "Des fleurs, des fruits et un épi de maïs sur le rebord d'une table" by Paul Theodor van Brussel stands out for its elegance and delicacy. This piece, imbued with poetry, invites the viewer to immerse themselves in a world where the fleeting beauty of flowers and fruits intertwines with the simplicity of an ear of corn. By capturing with virtuosity the nuances of colors and textures, van Brussel offers us a vision that is both realistic and romantic, transporting us to an atmosphere of tranquility and contemplation. Each element of this composition seems to tell a story, an invitation to appreciate the richness of nature in all its splendor.
Style and uniqueness of the work
Paul Theodor van Brussel's style is characterized by meticulous attention to detail and an impressive mastery of light. In this artwork, light plays a fundamental role, illuminating the flowers and fruits in a way that emphasizes their freshness and vitality. Vibrant colors and delicate shadows create a depth that brings the composition to life. The ear of corn, often overlooked in still life works, finds here a prominent place, adding an unexpected and symbolic dimension to the whole. This juxtaposition between the lushness of the flowers and the rusticity of the corn evokes a dialogue between refinement and authenticity, illustrating the artist's talent for capturing the duality of life.
The artist and his influence
Paul Theodor van Brussel, active in the 19th century, is recognized for his ability to transform ordinary subjects into extraordinary works of art. Influenced by the Romantic movement, he seeks to express a deep sensitivity through his compositions. His training with masters of still life refined his eye for detail and his understanding of colors. Van Brussel was also inspired by his environment, immersing himself in landscapes and natural elements around him. His work bears witness to a time when art was a means of exploring the relationship between man and nature, and his influence endures in the art world


