Art print | Self-portrait in Venetian Procurator Costume - Bernardo Bellotto
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The Self-Portrait in Venetian Procurator costume by Bernardo Bellotto is a work that transcends a simple portrait to become a fascinating exploration of identity and social status in the 18th century. This piece, imbued with striking realism, offers a window into the artist's soul while reflecting the aesthetic and cultural values of his time. By depicting himself as a procurator, Bellotto does not merely showcase his technical talent but also engages in a subtle dialogue with the viewer about the nature of authority and representation. This painting, capturing the very essence of Venice, is much more than a mere image: it is a declaration of art and life.
Style and uniqueness of the work
Bellotto's style is distinguished by his mastery of chiaroscuro and his ability to play with light to create an atmosphere that is both intimate and grandiose. In this self-portrait, the choice of rich colors and meticulous details evokes a psychological depth that draws the eye and invites contemplation. The procurator's costume, adorned with delicate embroidery and varied textures, is treated with exceptional care, demonstrating the artist's skill in rendering the complexity of fabrics. Every element of the composition, from the subject's penetrating gaze to the confident posture, contributes to the impression of a strong and charismatic personality. In sum, this work stands out for its ability to fuse technical virtuosity with a reflection on the artist's role in society.
The artist and his influence
Bernardo Bellotto, often regarded as one of the greatest masters of urban landscape painting, was able to capture the essence of European cities of his time. A pupil of Canaletto, Bellotto inherited a rich artistic tradition while developing a personal style that is uniquely his own. His ability to depict scenes of daily life, while incorporating elements of grandeur, influenced many contemporary and future artists. The Self-Portrait in Venetian procurator costume stands at the crossroads of this tradition and innovation, illustrating how Bellotto navigated between
Matte finish
View from behind
Frame (optional)
The Self-Portrait in Venetian Procurator costume by Bernardo Bellotto is a work that transcends a simple portrait to become a fascinating exploration of identity and social status in the 18th century. This piece, imbued with striking realism, offers a window into the artist's soul while reflecting the aesthetic and cultural values of his time. By depicting himself as a procurator, Bellotto does not merely showcase his technical talent but also engages in a subtle dialogue with the viewer about the nature of authority and representation. This painting, capturing the very essence of Venice, is much more than a mere image: it is a declaration of art and life.
Style and uniqueness of the work
Bellotto's style is distinguished by his mastery of chiaroscuro and his ability to play with light to create an atmosphere that is both intimate and grandiose. In this self-portrait, the choice of rich colors and meticulous details evokes a psychological depth that draws the eye and invites contemplation. The procurator's costume, adorned with delicate embroidery and varied textures, is treated with exceptional care, demonstrating the artist's skill in rendering the complexity of fabrics. Every element of the composition, from the subject's penetrating gaze to the confident posture, contributes to the impression of a strong and charismatic personality. In sum, this work stands out for its ability to fuse technical virtuosity with a reflection on the artist's role in society.
The artist and his influence
Bernardo Bellotto, often regarded as one of the greatest masters of urban landscape painting, was able to capture the essence of European cities of his time. A pupil of Canaletto, Bellotto inherited a rich artistic tradition while developing a personal style that is uniquely his own. His ability to depict scenes of daily life, while incorporating elements of grandeur, influenced many contemporary and future artists. The Self-Portrait in Venetian procurator costume stands at the crossroads of this tradition and innovation, illustrating how Bellotto navigated between


