Pygmalion and the Image, The Hand Abstains - Sir Edward Coley Burne - Jones


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Edward Coley Burne-Jones, a quintessential figure of the Pre-Raphaelite movement, offers us with "Pygmalion and the Image, The Hand Refrains" a poignant interpretation of the myth of Pygmalion, the sculptor who fell in love with his own creation. This art print illustrates the struggle between desire and reason, capturing the moment when Pygmalion hesitates to touch his sculpture, fearing to break the spell. Burne-Jones uses a palette of rich colors and a harmonious composition to evoke a dreamy and romantic atmosphere. His style, characterized by flowing lines and idealized figures, reflects his desire to reinvent classical stories through a modern sensibility. In a contemporary decorative context, this art print can add a touch of mystery and elegance. The art print of this piece on Artem Legrand invites you to explore this fascinating artistic universe.

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View from behind

Frame (optional)
Edward Coley Burne-Jones, a quintessential figure of the Pre-Raphaelite movement, offers us with "Pygmalion and the Image, The Hand Refrains" a poignant interpretation of the myth of Pygmalion, the sculptor who fell in love with his own creation. This art print illustrates the struggle between desire and reason, capturing the moment when Pygmalion hesitates to touch his sculpture, fearing to break the spell. Burne-Jones uses a palette of rich colors and a harmonious composition to evoke a dreamy and romantic atmosphere. His style, characterized by flowing lines and idealized figures, reflects his desire to reinvent classical stories through a modern sensibility. In a contemporary decorative context, this art print can add a touch of mystery and elegance. The art print of this piece on Artem Legrand invites you to explore this fascinating artistic universe.